Camera & Shooting Specs for Marketing Shoots

• General guidance is to record footage for FOX Marketing Operations in an S-log Color Space that can be graded in post-production to look beautiful when a standard Rec. 709 LUT is applied.
• The resolution is normally UHD (3840 x 2160 pixels), however this may vary depending on the camera sensor, running time of the event, or request from the graphics or editorial department.

FOX Entertainment Technology Camera Offerings

• ET maintains the following cameras and uses the below specs as standard settings unless directed otherwise:

Red Komodo

Recording Mode	S-Log3.cine
LUT	Rec. 709 (LUT PROFILE/NOT BAKED IN)
Recording Format	UHD (3840 x 2160 pixels)
Recording Codec	RED RAW
Frame Rate	23.976

Sony Venice 2 (in Studio1)

Recording Mode	S-Log3.cine
LUT	Rec. 709 (LUT PROFILE/NOT BAKED IN)
Recording Format	UHD (3840 x 2160 pixels) in 5.4 Sensor Size
Recording Codec	ProRes 4444
Frame Rate	23.976

Sony Fx9 & Fx6

Recording Mode	S-Log3.cine
LUT	Rec. 709 (LUT PROFILE/NOT BAKED IN)
Recording Format	UHD (3840 x 2160 pixels)
Recording Codec	XAVC-I  10-Bit
Frame Rate	23.976

Sony FX3 (Primarily Gimbal Work)

Recording Mode	S-Log3.cine
LUT	Rec. 709 (LUT PROFILE/NOT BAKED IN)
Recording Format	UHD (3840 x 2160 pixels)
Recording Codec	XAVC-I  10-Bit
Frame Rate	23.976

Sony F55

Recording Mode	S-Log3.cine
LUT	Rec. 709 (LUT PROFILE/NOT BAKED IN)
Recording Format	UHD (3840 x 2160 pixels)
Recording Codec	XAVC-I  10-Bit
Frame Rate	23.976

Canon C70

Recording Mode	S-Log3.cine
LUT	Rec. 709 (LUT PROFILE/NOT BAKED IN)
Recording Format	UHD (3840 x 2160 pixels)
Recording Codec	XAVC-I  10-Bit
Frame Rate	23.976