A full list of all Audio/Visual (Schedule A) deliverables can be found (here).

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Due: 4-5 Days After Picture Lock

Deliver to:  FES Post via Aspera

Video Turnover item 4 (Final Locked Cut Reference File) should also be uploaded to FES Post via FrameIO

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Video Turnover

1. EDL/XML – CMX3600 format

• Please make sure the Source Timecode in the EDL references the original Source timecode (Raw Footage, Audio Dailies, etc.)
• Please strip all added temp sfx/music information from EDLs

2. VFX List

• (Word or Excel file is fine)

3. Stock footage Cue Sheet

• Word or Excel file is fine, with name of the stock shot, timecode in & out, stock footage source/licensor.
• Template provided.

4. Final Locked Cut Reference File(s)

• Delivered to FES Post via Aspera or Frame.io
• H.264, ~10mbps
• 1920 x 1080
• Timecode Burn-in (first frame of picture should start at 01:00:00:00)
• Must have Academy or SMPTE head and tail leader with picture start mark, 2-pop and tail pop
• Ch. 1 (L) – Production Audio, FX
• Ch. 2 (R) – Temp Music

Audio Turnover

1.  .WAV of dialogue only

2. AAF/OMF (V2) files

• 24bit, 48kHz

• 10 second handles (300 frames)

• Files can either be embedded with media or be delivered with a consolidated media files folder containing all needed audio data

• Must not exceed 2GB in size

• If you run into the 2GB limit, please split out into tracks (OMF for tracks 1-6, 7-12, etc.) 

Offline Editorial Backup

• Editorial proxies

• Production audio

• Editorial projects including all linked media

• Music, SFX, and stock footage (including temp)

• Final locked reference file(s)

All media should be accessible for playback by a local volume in when plugged into a single computer.