A full list of all Audio/Visual (Schedule A) deliverables can be found (here).

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Due:  2 weeks after wrap

Deliver to:  FES Post via Aspera

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Production Turnover Summary

 Delivered via Aspera to the FOX Entertainment Post & Production Technology department containing the following files:

1. Copy of all raw original camera files (OCF) - preferably 5K or greater, 4K minimum upon approval

2. Copy of all audio dailies 

3. Copy of all proxy files

Original Camera Files

• Original camera roll folder structure should be maintained and include all ancillary camera metadata files (xml, ALE, etc.) when applicable.
• All camera files, circled and non- circled takes, should be included in the archive.
• Each camera roll should include a pertaining checksum (MD5 or xxHash64) verification file. This should be generated by the DIT or loader during offload so the chain of custody can be traced.
• File names of camera files should be unique, avoiding any redundancy which can cause issues with post production processes later on in finishing.
  • The best practice is to include the camera roll, clip number, unique identifier, and production shoot date.
  • If redundancies exist, always duplicate the original files and modify the duplicates. Never modify the original files.
• Along with the original files, mezzanine files created should also be included on the archive.

Production Audio

• Original sound folder structure should be maintained and include all ancillary metadata files where applicable.

LUTs and CDLs

• Any LUTs and CDLs created prior to and during production (for example by the DIT, Final Colorist, and/or Dailies Operator) and used on the dailies should be included in the archive.

All files created by your dailies vendor and corresponding paperwork, including: 

• Project Media
• Bins/ALEs (if applicable)
• Transfer Reports
• Proxy Files
• Camera and Sound Reports