Delivery (Studio) / Audio/Visual Deliverables

Deliverable (A11): Final Archive

A full list of all Audio/Visual (Schedule A) deliverables can be found (here).

DUE: After QC is passed

Deliver to:  FES Post via Aspera

The final archive delivery should include the following:

  • Color grading project file including all linked media and VFX 

  • Ungraded UHD 23.98 4444 16bit Full Frame DPX sequence (for future exploitation) of QC approved film.

  • Title and main & end credits project file if created/revised by lab

See also: Production Turnover & Post Turnover deliverables, for items that should have already been delivered. If those were not previously delivered, include in Final Archive delivery.

DPX/EXR Sequences

UHD Archive Master (Original Aspect Ratio)

Description

Fully Conformed

Graded/Ungraded

Graded

Compressed/Uncompressed

Uncompressed

Texted/Textless

Texted (w/ textless at tail)

File Format

DPX: 12-bit or 16-bit

EXR (Linear):

  • Uncompressed 16-bit RBG Half-Float OpenEXR
  • ZIP Losslessly Compressed 16-bit Half-Float OpenEXR
  • PIZ Losslessly Compressed 16-bit Half-Float OpenEXR

Resolution

Native (3840x2160 or higher)

Aspect Ratio

Native

Frame Rate

Native (23.976, etc)

Color Bit Depth

Native (12-bit or higher)

Display Color Space

(ODT if working in ACES)

SDR: REC 709 100 nits

HDR: P3-D65 ST.2084 (PQ) 1000 nits

ACES IDT/Working Color Space

(if working in ACES)

ACEScct

Additional Files

Include all final VFX, stock, and main title

Include recap (if applicable)

Slate

:05 seconds starting at 00:59:50:00 

Include the following:

  • Show Title
  • Episode Title (if applicable)
  • Production Number
  • TRT (HH:MM:SS:ff)
  • Textless Starting Timecode: (HH:MM:SS:ff)

UHD Archive Master (16x9 Full Frame)

Please note: Not all projects will require this item. Please discuss with FES Post.

Description

Fully Conformed

Graded/Ungraded

Graded

Compressed/Uncompressed

Uncompressed

Texted/Textless

Texted (w/ textless at tail)

File Format

DPX: 12-bit or 16-bit

EXR (Linear):

  • Uncompressed 16-bit RBG Half-Float OpenEXR
  • ZIP Losslessly Compressed 16-bit Half-Float OpenEXR
  • PIZ Losslessly Compressed 16-bit Half-Float OpenEXR

Resolution

Native (3840x2160 or higher)

Aspect Ratio

16x9 (1.78) Full Frame

Frame Rate

Native (23.976, etc)

Color Bit Depth

Native (12-bit or higher)

Display Color Space

(ODT if working in ACES)

SDR: REC 709 100 nits

HDR: P3-D65 ST.2084 (PQ) 1000 nits

ACES IDT/Working Color Space

(if working in ACES)

ACEScct

Additional Files

Include all final VFX, stock, and main title

Include recap (if applicable)

Slate

:05 seconds starting at 00:59:50:00 

Include the following:

  • Show Title
  • Episode Title (if applicable)
  • Production Number
  • TRT (HH:MM:SS:ff)
  • Textless Starting Timecode: (HH:MM:SS:ff)

NAM (Non-Graded Archival Master)

Description

Fully Conformed

Graded/Ungraded

Ungraded

Compressed/Uncompressed

Uncompressed

Texted/Textless

Textless

File Format

DPX: 12-bit or 16-bit

EXR (Linear):

  • Uncompressed 16-bit RBG Half-Float OpenEXR
  • ZIP Losslessly Compressed 16-bit Half-Float OpenEXR
  • PIZ Losslessly Compressed 16-bit Half-Float OpenEXR

Resolution

Native (3840x2160 or higher)

Aspect Ratio

Native

Frame Rate

Native (23.976, etc)

Color Bit Depth

Native (12-bit or higher)

Color Space

Camera Log

Audio

None

Additional Files
  • Include all final VFX, stock, and main title
  • Include recap (if applicable)
  • Color project including all LUTS, Resolve files .drp (or similar), matte
  • elements used during color correction
  • Main/Opening/End titles, chyrons, locators, on screen text, etc as tiff, targa, PNG or similar

Slate

:05 seconds starting at 00:59:50:00 

Include the following:

  • Show Title
  • Episode Title (if applicable)
  • Production Number

VFX Archive

All final VFX Shots should already be represented among the Video Master, Picture Editorial, and other post production deliverables.

When possible, please provide the following additional assets via hard drive or Aspera upload:

Volumetric Scans

Includes 3D scans of actors in costume, props, buildings, constructed sets, locations, and other physical assets. Common forms include lidar scans, cyber scans, HDRI scans, and photogrammetry. These used to create digital CG models of assets and backgrounds.

VFX Assets

Includes any other digital files that go into creating the final version of VFX assets and VFX shots including geometry, motion/performance capture data, deformation data, bitmaps, animation/rigging, textures, matte paintings, lighting, and miniatures.

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