Deliverable (A11): Final Archive
A full list of all Audio/Visual (Schedule A) deliverables can be found (here).
DUE: After QC is passed
Deliver to: FES Post via Aspera
The final archive delivery should include the following:
Color grading project file including all linked media and VFX
Ungraded UHD 23.98 4444 16bit Full Frame DPX sequence (for future exploitation) of QC approved film.
Title and main & end credits project file if created/revised by lab
See also: Production Turnover & Post Turnover deliverables, for items that should have already been delivered. If those were not previously delivered, include in Final Archive delivery.
DPX/EXR Sequences
UHD Archive Master (Original Aspect Ratio)
Description |
Fully Conformed |
Graded/Ungraded |
Graded |
Compressed/Uncompressed |
Uncompressed |
Texted/Textless |
Texted (w/ textless at tail) |
File Format |
DPX: 12-bit or 16-bit EXR (Linear):
|
Resolution |
Native (3840x2160 or higher) |
Aspect Ratio |
Native |
Frame Rate |
Native (23.976, etc) |
Color Bit Depth |
Native (12-bit or higher) |
Display Color Space (ODT if working in ACES) |
SDR: REC 709 100 nits HDR: P3-D65 ST.2084 (PQ) 1000 nits |
ACES IDT/Working Color Space (if working in ACES) |
ACEScct |
Additional Files |
Include all final VFX, stock, and main title Include recap (if applicable) |
Slate |
:05 seconds starting at 00:59:50:00 Include the following:
|
UHD Archive Master (16x9 Full Frame)
Please note: Not all projects will require this item. Please discuss with FES Post.
Description |
Fully Conformed |
Graded/Ungraded |
Graded |
Compressed/Uncompressed |
Uncompressed |
Texted/Textless |
Texted (w/ textless at tail) |
File Format |
DPX: 12-bit or 16-bit EXR (Linear):
|
Resolution |
Native (3840x2160 or higher) |
Aspect Ratio |
16x9 (1.78) Full Frame |
Frame Rate |
Native (23.976, etc) |
Color Bit Depth |
Native (12-bit or higher) |
Display Color Space (ODT if working in ACES) |
SDR: REC 709 100 nits HDR: P3-D65 ST.2084 (PQ) 1000 nits |
ACES IDT/Working Color Space (if working in ACES) |
ACEScct |
Additional Files |
Include all final VFX, stock, and main title Include recap (if applicable) |
Slate |
:05 seconds starting at 00:59:50:00 Include the following:
|
NAM (Non-Graded Archival Master)
Description |
Fully Conformed |
Graded/Ungraded |
Ungraded |
Compressed/Uncompressed |
Uncompressed |
Texted/Textless |
Textless |
File Format |
DPX: 12-bit or 16-bit EXR (Linear):
|
Resolution |
Native (3840x2160 or higher) |
Aspect Ratio |
Native |
Frame Rate |
Native (23.976, etc) |
Color Bit Depth |
Native (12-bit or higher) |
Color Space |
Camera Log |
Audio |
None |
Additional Files |
|
Slate |
:05 seconds starting at 00:59:50:00 Include the following:
|
VFX Archive
All final VFX Shots should already be represented among the Video Master, Picture Editorial, and other post production deliverables.
When possible, please provide the following additional assets via hard drive or Aspera upload:
Volumetric Scans
Includes 3D scans of actors in costume, props, buildings, constructed sets, locations, and other physical assets. Common forms include lidar scans, cyber scans, HDRI scans, and photogrammetry. These used to create digital CG models of assets and backgrounds.
VFX Assets
Includes any other digital files that go into creating the final version of VFX assets and VFX shots including geometry, motion/performance capture data, deformation data, bitmaps, animation/rigging, textures, matte paintings, lighting, and miniatures.